Oft-overlooked Disney classic, Bedknobs and Broomsticks dazzles and delights in its World Premiere UK Tour
Unencumbered by franchise and existing characters and plot lines, Shang-Chi and the Legend of the Ten Rings is a creatively satisfying story: a martial arts action epic, with a beating, emotional core and nuanced characters
As camp as a row of tents, Diana: The Musical, recently released as a filmed version on Netflix, is completely incongruous with what the world has come to expect of an adaptation of The People’s Princess’ life, but it’s deliciously addictive all the same.
Despite the controversial casting at the centre of the film, Dear Evan Hansen is just as emotional and impactful as its source material
With an energetic, toe-tapping soundtrack and genuinely jaw-dropping special effects, Back to the Future is an astounding theatrical feast
After two premature closures at the Southwark Playhouse, Jason Robert Brown’s The Last Five Years finally graces the West End – and it has been worth the wait
Despite the abundance of talent within the cast and behind the camera, Cinderella ranges from mildly entertaining to downright unwatchable
The long-anticipated solo movie for the lone female Avenger is almost everything a fan could hope for, but it still doesn’t make up for the past treatment of the character
From a screenplay by Matt Lieberman and Zak Penn, Free Guy is a witty, innovative and refreshing film ably supported by a charismatic cast
Finally making its world premiere, Andrew Lloyd Webber’s Cinderella has certainly been worth the wait
Within its sophomore outing, High School Musical: The Musical: The Series more than that it exists far beyond the shadow of its Disney Channel namesake
Literal fish-out-of-water Luca (Jacob Tremblay) has a transformative summer with new friend Alberto (Jack Dylan Grazer) as he yearns to stretch his fins and explore greener, less aquatic, pastures
This Is Us‘s shorter fifth season is concerned more with intimacy than with spectacle
Despite a solid and promising premiere, NBC’s Smash‘s star burnt out before it could set the world ablaze
AKA The One With Nostalgia Factor And Not Much Else
Delightfully camp, and devilishly entertaining, Cruella is family friendly fun.
What are you waiting five?
Adapted from Leigh Bardugo’s bestselling fantasy series, Netflix’s Shadow and Bone is a massively engaging hit
Melissa McCarthy and Octavia Spencer’s amusing take on the superhero genre is silly, but enjoyable
Stowaway starts with conviction and a compelling, wrought concept, but ultimately loses its way in the finale
BBC’s I May Destroy You, created, written, co-directed and starring Michaela Coel doesn’t shy away from heavy issues surrounding sexual assault, personal boundaries and consent
Luckily, The Falcon and the Winter Soldier did not serve as the debut to the MCU gracing the silver screen, else Marvel’s grand TV plans may have found themselves dead in the water.
Recently married to the widowed Maxim de Winter, his new wife finds herself haunted by his mysterious past.
Love, Victor addresses some of the criticism aimed at 2018 movie Love, Simon
Bridesmaids co-writers Kristen Wiig and Annie Mumolo reunite to write and star in a barmy, off-the-wall comedy about two dull Midwesterners on the holiday of a lifetime where they stumble upon an epically bizarre evil plot by a sci-fi villainess
After the dip in quality in the third season, This Is Us‘s return is hugely engrossing and cohesive
In providing the most shocking ending possible, Behind Her Eyes’ creators appear to have forgotten that a shocking ending does not, in fact, make a good one, nor is it a meaningful substitute for a lack of character development, tension or coherence
With everything revealed about Jack’s demise, This Is Us‘ third outing wobbles slightly in reframing the purpose of their flashbacks, as well as slightly overestimating the audience’s continued interest in Jack’s character
This Is Us continues to provide mystery and depth in its brilliantly written and performed sophomore season, finally delivering answers on the fate of the Pearson family patriarch
Marvel’s latest televisual creation is less creatively groundbreaking than predecessor WandaVision, but continues the trend of exploring the value of quiet, emotional moments in amongst the blockbuster action
With gorgeous properties and ordinary people who think themselves experts because they once read half a chapter of an e-book on property development while waiting for their washing to dry, there’s little not to enjoy about Instant Hotel
The wholesome Reality TV series, from the creators of The Great British Bake Off, has been the perfect tonic to a dreary Winter in lockdown
A cleverly written show that balances comedy with social commentary, Superstore is nearly flawless
The hit American TV show is at turns beautiful, heartwarming, tear-jerking and heart-wrenching but never feels emotionally manipulative
Disney’s 59th animated feature film is loaded with charm, emotion and depth.
MCU’s first TV series comes to a spectacular close, as Wanda finally confronts what she’s been running from all along.
Emma (Alexandra Daddario) finds herself revealing far too much about herself to handsome stranger Jack (Tyler Hoechlin) in a pleasant, though unmemorable, romance flick
“Previously On” circles its attention back on the woman in the centre of the madness, in the most emotional the MCU has ever been.
Charmed enjoys a soft reset and a fresh return to form as it starts its Season 3 arc
Bright and colourful Italian cartoon Winx Club gets the Riverdale treatment, seemingly losing sight of the appeal of the original
