Oft-overlooked Disney classic, Bedknobs and Broomsticks dazzles and delights in its World Premiere UK Tour
Unencumbered by franchise and existing characters and plot lines, Shang-Chi and the Legend of the Ten Rings is a creatively satisfying story: a martial arts action epic, with a beating, emotional core and nuanced characters
Stranger Things‘ fourth outing feels more compelling than ever before
Pixar’s latest release, while capitalising on the beloved Toy Story franchise, manages to create an instalment that feels wholly unique to what has preceded it
Lucy Moss’ production for Regent’s Park Open Air Theatre clearly demonstrates that even the most phenomenal casting can only take you so far
The first staging of Craig Adams and Ian Watson’s musical in almost a decade is wonderfully intricate and beautifully moving
Sam Raimi’s first contribution to Marvel since oft-derided Spider-Man 3, Doctor Strange in the Multiverse of Madness mostly succeeds at being entertaining in its own right, but still relies on a certain amount of fan service
Netflix’s adaptation of Alice Oseman’s creation is a heartfelt and giddily effervescent tale of two teenage boys falling in love with each other
Jonathan Bailey and Simone Ashley’s chemistry sets the screen alight in the second season of record-breaking Regency romance series
With stars Sandra Bullock and Channing Tatum repeating tried-and-tested performances, “The Lost City”‘s success feels assured
With everything to prove and nothing to lose, the first series of Revived Doctor Who truly demonstrates all that the show is capable of for a modern audience
Painting Trump’s potential bid for a second term of presidency as a Shakespearean historical, Mike Bartlett warns of the dangers to democracy that Trump poses, though it’s nothing the audience don’t already know
Jodie Whittaker’s penultimate, swashbuckling adventure features the return of a long-absent Classic villain and some sweet, intimate moments, but this isn’t enough to redeem the episode
Falling in love with a woman completely upends the lives of John (Jonathan Bailey) and long-term boyfriend M (Taron Egerton) in Mike Bartlett’s Cock
Intricately plotted, staged and performed immersive production Time Fracture is sure to delight Doctor Who fans and newcomers alike with its heart-racing, engaging premise
For all of the controversy surrounding the latest instalment in the Fantastic Beasts franchise, it is heads and shoulders above The Crimes of Grindelwald and crafts a captivating, tense and imaginative magical tale
“The Parting of the Ways” is a near-perfect conclusion to Davies’ reinvigoration of Doctor Who
Davies’ first part to the conclusion of his first series is at turns funny and tense, but consistently engrossing
Despite its placing between fan-favourite two-parters, “Boom Town” boasts some brilliant performances and a thought-provoking plot
Mark Rylance and Sally Hawkins elevate Simon Farnaby’s farcical script into something with genuine emotional heft amongst the folly
Steven Moffat’s first contribution to Doctor Who is hypnotically chilling
Steven Moffat’s first contribution to Doctor Who is hypnotically chilling
Father’s Day is an emotional rollercoaster that showcases Billie Piper’s Rose
The Long Game is a rare instance of Series 1 of the Revived Series fumbling the ball
Pixar’s first female-directed film is a beautifully resonant coming-of-age tale
Dalek makes the iconic, oft-ridiculed Doctor Who enemy credible and sinister once again
World War Three doesn’t fully live up to the potential of its predecessor
Aliens of London is a prime example of a Doctor Who story that simply could not, and would not, have been done before the revival
Rose’s second trip in the TARDIS wonderfully demonstrates the unique range that Doctor Who possesses
The Doctor has the perfect thing to unite him with Rose on her first trip as companion: the obliteration of her entire species
Matt Reeves’ take on Batman feels miles more personal, but not necessarily more engaging
Despite an assured, nuanced performance from Dinklage, Cyrano falls down from horrendously forgettable, lumbering songs
Wise Children’s Wuthering Heights is theatrical and epic to the extreme, but is tonally worlds away from Brontë’s classic novel
After 13 years of established canon, What If…? gives viewers a glimpse into the richness of the Marvel Multiverse
Annie Murphy truly shines in this ambition blend of television genres
Everybody’s Talking About Jamie’s film adaptation demonstrates what all good musical theatre films need: a coherent narrative drive
Developed by the minds behind The Play That Goes Wrong, The Goes Wrong Show is chaotic, farcical hilarity
While wonderful to have Amy Sherman-Palladino’s unique writing voice back on screens, it is frustrating to see Midge back on the bottom rung after such a lengthy hiatus
Starring Kristen Bell, The Woman in the House Across the Street from the Girl in the Window delights in poking fun at common psychological thriller tropes, but could have gone much further with its comedy
Freeform’s exceptional series, The Bold Type, remains faithful to its characters until the very end
Ryan Reynolds and Dwayne Johnson’s winning chemistry elevates an otherwise unremarkable, though twisty, heist flick
Director Ruben Fleischer’s adaptation of the Uncharted video game series does not reinvent the wheel, but proves pleasant enough due to the watchability of lead Tom Holland
Mark My Words 