Oft-overlooked Disney classic, Bedknobs and Broomsticks dazzles and delights in its World Premiere UK Tour
Unencumbered by franchise and existing characters and plot lines, Shang-Chi and the Legend of the Ten Rings is a creatively satisfying story: a martial arts action epic, with a beating, emotional core and nuanced characters
Welcome to the show about death
With a cast as glittering as Cinderella’s slippers, Encores! production of Into the Woods is phenomenal
Steve Martin and John Hoffman’s zany, fourth-wall breaking comedy mystery successfully evades the sophomore slump
The first live performance of the musical based around the iconic events of The Gunpowder Plot shows great promise, but is far from complete
13: The Musical is jam-packed with catchy, uplifting tunes but overly simplifies the teenage existence to a fault, losing a lot of the charm of the original
Monahan and Alexander Sage Oyen’s outrageous one-man show, starring Luke Bayer, is one hell of a good time
“Shall we go for it?” asks Marla Mindelle’s Celine Dion. You’d be mad not to.
Michael R Jackson’s meta Tony Award winning ‘A Strange Loop’ certainly pulls no punches, but its intelligence is let down by production elements
Disney’s new production of Beauty and the Beast, directed by choreographer Matt West, will have you wanting to Be Their Guest time and time again ★★★★★
Elliot Clay’s pop-infused, highly relatable song cycle plays its limited season until 7th August – and it’s definitely not one to miss ★★★★☆
“First off, the name is Mighty Thor! And secondly, if you can’t say Mighty Thor I’ll accept Doctor Jane Foster!”
Stranger Things‘ fourth outing feels more compelling than ever before
Pixar’s latest release, while capitalising on the beloved Toy Story franchise, manages to create an instalment that feels wholly unique to what has preceded it
Lucy Moss’ production for Regent’s Park Open Air Theatre clearly demonstrates that even the most phenomenal casting can only take you so far
The first staging of Craig Adams and Ian Watson’s musical in almost a decade is wonderfully intricate and beautifully moving
Sam Raimi’s first contribution to Marvel since oft-derided Spider-Man 3, Doctor Strange in the Multiverse of Madness mostly succeeds at being entertaining in its own right, but still relies on a certain amount of fan service
Netflix’s adaptation of Alice Oseman’s creation is a heartfelt and giddily effervescent tale of two teenage boys falling in love with each other
Jonathan Bailey and Simone Ashley’s chemistry sets the screen alight in the second season of record-breaking Regency romance series
With stars Sandra Bullock and Channing Tatum repeating tried-and-tested performances, “The Lost City”‘s success feels assured
With everything to prove and nothing to lose, the first series of Revived Doctor Who truly demonstrates all that the show is capable of for a modern audience
Painting Trump’s potential bid for a second term of presidency as a Shakespearean historical, Mike Bartlett warns of the dangers to democracy that Trump poses, though it’s nothing the audience don’t already know
Jodie Whittaker’s penultimate, swashbuckling adventure features the return of a long-absent Classic villain and some sweet, intimate moments, but this isn’t enough to redeem the episode
Falling in love with a woman completely upends the lives of John (Jonathan Bailey) and long-term boyfriend M (Taron Egerton) in Mike Bartlett’s Cock
Intricately plotted, staged and performed immersive production Time Fracture is sure to delight Doctor Who fans and newcomers alike with its heart-racing, engaging premise
For all of the controversy surrounding the latest instalment in the Fantastic Beasts franchise, it is heads and shoulders above The Crimes of Grindelwald and crafts a captivating, tense and imaginative magical tale
“The Parting of the Ways” is a near-perfect conclusion to Davies’ reinvigoration of Doctor Who
Davies’ first part to the conclusion of his first series is at turns funny and tense, but consistently engrossing
Despite its placing between fan-favourite two-parters, “Boom Town” boasts some brilliant performances and a thought-provoking plot
Mark Rylance and Sally Hawkins elevate Simon Farnaby’s farcical script into something with genuine emotional heft amongst the folly
Steven Moffat’s first contribution to Doctor Who is hypnotically chilling
Steven Moffat’s first contribution to Doctor Who is hypnotically chilling
Father’s Day is an emotional rollercoaster that showcases Billie Piper’s Rose
The Long Game is a rare instance of Series 1 of the Revived Series fumbling the ball
Pixar’s first female-directed film is a beautifully resonant coming-of-age tale
Dalek makes the iconic, oft-ridiculed Doctor Who enemy credible and sinister once again
World War Three doesn’t fully live up to the potential of its predecessor
Aliens of London is a prime example of a Doctor Who story that simply could not, and would not, have been done before the revival
Rose’s second trip in the TARDIS wonderfully demonstrates the unique range that Doctor Who possesses
The Doctor has the perfect thing to unite him with Rose on her first trip as companion: the obliteration of her entire species
Matt Reeves’ take on Batman feels miles more personal, but not necessarily more engaging
Mark My Words 