The Long Game is a rare instance of Series 1 of the Revived Series fumbling the ball
Pixar’s first female-directed film is a beautifully resonant coming-of-age tale
Dalek makes the iconic, oft-ridiculed Doctor Who enemy credible and sinister once again
World War Three doesn’t fully live up to the potential of its predecessor
Aliens of London is a prime example of a Doctor Who story that simply could not, and would not, have been done before the revival
Rose’s second trip in the TARDIS wonderfully demonstrates the unique range that Doctor Who possesses
The Doctor has the perfect thing to unite him with Rose on her first trip as companion: the obliteration of her entire species
Matt Reeves’ take on Batman feels miles more personal, but not necessarily more engaging
Despite an assured, nuanced performance from Dinklage, Cyrano falls down from horrendously forgettable, lumbering songs
Wise Children’s Wuthering Heights is theatrical and epic to the extreme, but is tonally worlds away from Brontë’s classic novel
After 13 years of established canon, What If…? gives viewers a glimpse into the richness of the Marvel Multiverse
Annie Murphy truly shines in this ambition blend of television genres
Everybody’s Talking About Jamie’s film adaptation demonstrates what all good musical theatre films need: a coherent narrative drive
Developed by the minds behind The Play That Goes Wrong, The Goes Wrong Show is chaotic, farcical hilarity
While wonderful to have Amy Sherman-Palladino’s unique writing voice back on screens, it is frustrating to see Midge back on the bottom rung after such a lengthy hiatus
Starring Kristen Bell, The Woman in the House Across the Street from the Girl in the Window delights in poking fun at common psychological thriller tropes, but could have gone much further with its comedy
Freeform’s exceptional series, The Bold Type, remains faithful to its characters until the very end
Ryan Reynolds and Dwayne Johnson’s winning chemistry elevates an otherwise unremarkable, though twisty, heist flick
Director Ruben Fleischer’s adaptation of the Uncharted video game series does not reinvent the wheel, but proves pleasant enough due to the watchability of lead Tom Holland
A gentle romantic comedy with queer protagonists with a happy ending! That’s how low the bar is!
Kenneth Branagh’s sequel is sumptuously shot, gorgeously cinematic and incredibly performed, though is a little slow out of the harbour
Despite being relatively unchanged since its genesis, ‘Blood Brothers’ proves almost as relevant now as it ever did
Moulin Rouge!, much like its diamond, is all sparkle and little substance.
Netflix’s latest collaboration with Harlan Coben is just as thrilling as viewers have come to expect
The iconic musical is just as impactful in its reworked guise as the record-breaking original.
The second outing for Netflix’s rose-tinted, optimistic representation of Paris starring Lily Collins has a keen awareness of its own appeal
Despite intentionally branding itself as a prequel to quirky spy thrillers Kingsman: The Secret Service and Kingsman: The Golden Circle, The King’s Man lacks any of the levity and silliness that made its predecessors successful
Watching Fabian Aloise’s engaging and energetic choreography is sure to bring a smile to your face
The stage adaptation of Disney’s massively successful 2013 animation possesses the same magic that made the original so beloved
Amidst the chaos of being repeatedly exterminated by a particularly persistent machine-gun wielding Dalek, Doctor Who still finds time for a bit of romance
Andrew Garfield is simply sensational in the Netflix adaptation of Jonathan Larson’s semi-autobiographical stage musical
Is Single All The Way setting the world alight for its complex plotting? No. But it’s about time that the gays had a clichéd, fluffy Christmas film, isn’t it?
The second film adaptation of Bernstein and Sondheim’s 1957 musical is a cinema highlight of 2021
Tom Holland’s third outing as the teenage superhero is the perfect evolution from Homecoming and Far From Home
Walt Disney Animation Studios’ 60th feature film proves fresh, relatable and given heaps of energy with Lin-Manuel Miranda’s reverent soundtrack
The final chapter of Jodie Whittaker’s last series feels overstuffed and awkwardly convenient
Flux finally starts to offer up answers, though feels simultaneously overstuffed, yet also uneventful
Doctor Who ends this week’s episode with potentially the biggest cliffhanger in its entire history
Doctor Who‘s latest instalment certainly takes advantage of its serial format
Marking Disney Plus’s second anniversary, Disney Plus Day yielded a huge number of announcements
Mark My Words 